5. Tips When Creating with a Fisheye Lens
A big advantage to shooting with an extra wide lens is the depth of field or the amount of stuff in focus. Generally, the wider your lens is, the larger your focal plane is on the depth field. You can’t lean on bokeh or shoot wide open to isolate your subject, so you must be more mindful of your background. It’s often a good idea to spend more time looking around the viewfinder to see if there are too many distracting elements and thinking about the best place to put your subject in the frame. You can still isolate a subject with other elements — light, shadow, color, motion, and more.
One technique you should try is ICM—intentional camera movement. Since fisheyes are super wide, give the camera a rapid spin to one side while you fire the shutter. This creates a swirling effect at the edges, leaving the frame's center untouched. It is a great way to block distractions and hone in on a subject.
Another critical thing to remember is the distortion – while it can look very cool when done right, it’s helpful to keep an eye on your corners and edges since that’s where the distortion is strongest and makes things look super out of proportion and warped. You might also want to pay attention to your horizons, as tilting the camera up or down will bend the horizon at the edges.
Cropping in post can also be fiddly since reframing will shift the middle of the distortion field away from the center of the image, which is hard to correct. When in doubt, put your subject front and center in your viewfinder.
Fisheye lenses are begging to be used in crowds, chaos, and creative sets. Try filming some friends practicing sports up close, or get down low and take photos of your pets from their level! I like to shoot fisheye at live music events, especially if I’m allowed to combine it with flash. You could combine a few 70s outfits and do a Hendrix-esque fashion shoot.