Fujifilm GFX50S II Mirrorless Camera - Body
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Step into the world of large format photography with GFX50S II, a GFX System camera that packs a 51.4 MP sensor that’s physically bigger than every full-frame sensor by approx. 1.7x, but so wonderfully compact that it’s still similar in size to many full-frame cameras. At just 900g (1.98lb) and with a weather-resistant construction, it can certainly be taken everywhere, by creators anywhere. With an incredibly accurate autofocus system, in-body image stabilization that provides up to 6.5 stops, stability for complete handheld freedom, and 19 Film Simulation modes – created using over 85 years of color science know-how – GFX50S II is sure to produce outstanding results for creatives of every level.
SKU: 600022316
- 51.4 Megapixel Large Format CMOS Image Sensor
- X-Processor 4 quad-core CPU
- 3.0 Frames per second
- Enhanced autofocus (AF) algorithm for optimized performance with G Mount lenses
- Up to 6.5 stops of Internal Body Image Stabilization (IBIS)
Viewfinder Magnification | Approx. 0.77x |
Lens Mount | FUJIFILM G mount |
Image sensor | 43.8mm×32.9mm Bayer array with primary color filter |
Number of effective pixels | 51.4 million pixels |
Sensor Cleaning System | Ultra Sonic Vibration |
Image Processing Engine | X-Processor 4 |
Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90*1 |
File format of still image | DCF Compliant with Design rule for Camera File system (DCF2.0) JPEG Exif Ver.2.32*2 RAW 14bit RAW (RAF original format) TIFF 8bit / 16bit RGB (In-camera Raw Conversion Only) |
Number of recorded pixels | [L]〈4:3〉 8256 x 6192 〈3:2〉 8256 x 5504 〈16:9〉 8256 x 4640 〈1:1〉 6192 x 6192 〈65:24〉 8256 x 3048 〈5:4〉 7744 x 6192 〈7:6〉 7232 x 6192 [S]〈4:3〉 4000×3000 〈3:2〉 4000×2664 〈16:9〉 4000×2248 〈1:1〉 2992×2992 〈65:24〉 4000×1480 〈5:4〉 3744×3000 〈7:6〉 3504×3000 |
Sensitivity | Still Image Standard Output: AUTO1 / AUTO2 / AUTO3 / ISO100~12800 (1/3 step) Extended Output: ISO50 / ISO25600 / ISO51200 / ISO102400 Movie Standard Output: AUTO / ISO200~6400 (1/3 step) |
Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted |
Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) |
Exposure compensation | Still -5.0EV~+5.0EV 1/3EV step Movie -2.0EV~+2.0EV 1/3EV step |
Image stabilizer | Mechanism: Image sensor shift mechanism with 5-axis compensation Compensation Effect: 6.5 stops *based on CIPA standard *Pitch/yaw shake only *With GF63mmF2.8 R WR lens mounted Digital Image Stabilization: Yes (movie mode only) IS MODE BOOST: Yes (movie mode only) |
Shutter type | Focal Plane Shutter |
Shutter speed | Mechanical shutter: P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 60min. to 1/4000sec. Bulb: up to 60min. Electronic shutter: P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec. S/M mode: 60min. to 1/16000sec. Bulb: up to 60min. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. Mechanical + Electronic shutter: P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec. S/M mode: 60min. to 1/16000sec. Bulb: up to 60min. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. Electronic Front Curtain Shutter: P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 60min. to 1/4000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/500sec. Electronic Front Curtain Shutter + Electronic Shutter: P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec. S/M mode: 60min. to 1/16000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/500sec, Mechanical shutter works until 1/4000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. Movie: FHD: 1/4000sec. to 1/24 sec. *Cannot choose slower shutter speed than framerate. Synchronized shutter speed for flash 1/125sec. or slower |
Continuous shooting | CH Electronic Front Curtain Shutter Approx. 2.2fps (JPEG: Endless, Compressed RAW: Endless, Lossless compressed RAW: 35 frames, Uncompressed RAW: 10 frames) CH Approx. 3.0fps (JPEG: Endless, Compressed RAW: 31 frames, Lossless compressed RAW: 13 frames, Uncompressed RAW: 8 frames) *Recordable frames depends on recording media. *Speed of continuous shooting depends on shooting environment and shooting frames. |
Drive Mode | AE Bracketing: 2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps Filmsimulation bracketing: Any 3 types of film simulation selectable Dynamic Range Bracketing: 100% / 200% / 400% ISO sensitivity Bracketing: ±1/3EV / ±2/3EV / ±1EV White Balance Bracketing: ±1 / ±2 / ±3 Focus Bracketing: AUTO / MANUAL Multiple Exposure: Yes (Max. 9 frames) / Additive / Average / Bright / Dark Pixel Shift Multi Shot: Yes |
Focus | Mode Single AF / Continuous AF / MF Type TTL Contrast AF Low-light Performance Contrast: -3.5EV *Low light priority AF-S ON / GF80mmF1.7 attached AF frame selection Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes Face/eye detection Yes |
Flash | Sync. Mode 1st Curtain / 2nd Curtain / AUTO FP (HSS) When SHOE MOUNT FLASH is set TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI / OFF |
LCD monitor | 3.2 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor Aspect Ratio: 4:3 Dots: Approx. 2.36 million dots |
Touch Screen Mode | Shooting Mode AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), EVF Touch Screen Area Setting Playback Mode Swipe, Pinch-in / Pinch-out, Double-tap, Drag |
Sub LCD monitor | 1.80 inch Monochrome LCD Monitor Aspect Ratio: 4:3 Dots: 303x230-dot |
Movie recording | File format MOV: MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) Movie compression Long GOP File size [Full HD(16:9)] 1920×1080 29.97p/25p/24p/23.98p 50Mbps Up to 120min. Frame rate *For recording movies, use a SD memory card with UHS Speed Class 1 or higher. Bitrate & Recording time *Recording time can become short depending on the temperature and/or shooting conditions. |
Monochromatic Color | 19 modes (PROVIA/STANDARD, Velvia/VIVID, ASTIA/SOFT, CLASSIC CHROME, PRO Neg. Hi, PRO Neg. Std, CLASSIC Neg., NOSTALGIC Neg., ETERNA/CINEMA, ETERNA BLEACH BYPASS, ACROS, ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter, MONOCHROME, MONOCHROME+Ye Filter, MONOCHROME+R Filter, MONOCHROME+G Filter, SEPIA) |
Grain Effect | Yes |
Grain Effect | Roughness: STRONG, WEAK, OFF Size: LARGE, SMALL |
Color chrome Blue | STRONG, WEAK, OFF |
Color Chrome Effect | STRONG, WEAK, OFF |
Smooth Skin Effect | STRONG, WEAK, OFF |
Dynamic range setting | Still AUTO / 100% / 200% / 400% ISO restriction: DR100%: No limit, DR200%: ISO200 or more, DR400%: ISO400 or more Movie 100% / 200% / 400% ISO restriction: DR100%: No limit, DR200%: ISO400 or more, DR400%: ISO800 or more |
White balance | Auto: White Priority / Auto / Ambience Priority Custom: Custom1 - 3 Color temperature selection: 2500K~10000K Preset: Fine / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater |
Clarity setting | ±5 steps |
Self-timer | 10sec. / 2sec. |
Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing) |
Wireless transmitter | Standard IEEE802.11b/g/n (standard wireless protocol) Encryption WEP / WPA / WPA2 mixed mode Access mode Infrastructure |
Bluetooth® | Standard: Bluetooth Ver. 4.2 (Bluetooth low energy) Operating frequency (Center frequency): 2402〜2480MHz |
Terminal | Digital interface USB Type-C (USB3.2 Gen1x1) HDMI output HDMI Micro connector (Type D) Others ø3.5mm, stereo mini connector (Microphone) ø3.5mm, stereo mini connector (Headphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terminal |
Power supply | NP-W235 Li-ion battery (included) |
Actual battery life of movie capture*3 | Full HD: Approx. 80min. (59.94p) *Face detection is set to OFF |
Continuance battery life of movie capture*3 | Full HD: Approx. 140min. (29.97p) *Face detection is set to OFF |
Battery life for still images*3 | Normal Mode: Approx. 455 frames *Auto power save ON *When GF63mmF2.8 R WR is set |
Dimensions | Width: 150.0mm Height: 104.2mm Depth: 87.2mm (Minimum Depth) 44.0mm |
Weight | including battery and SD memory card: Approx. 900g excluding battery and SD memory card: Approx. 819g |
Operating Temperature | -10°C~+40°C |
Operating Humidity | 10% - 80% (no condensation) |
Starting up period | Approx. 0.4sec. |
Accessories included | Li-ion battery NP-W235 AC power adapter AC-5VJ Plug adapter USB cable Shoulder strap Body cap Hot shoe cover Cable protector |
Viewfinder | EVF: 0.5 inch OLED Color Viewfinder, Approx. 3.69 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 23mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -4~+2m-1 Magnification: 0.77x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 38° (Horizontal angle of view: approx. 30° ) Built-In Eye Sensor |
Frequently Bought With
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Step into the world of large format photography with GFX50S II, a GFX System camera that packs a 51.4 MP sensor that’s physically bigger than every full-frame sensor by approx. 1.7x, but so wonderfully compact that it’s still similar in size to many full-frame cameras. At just 900g (1.98lb) and with a weather-resistant construction, it can certainly be taken everywhere, by creators anywhere. With an incredibly accurate autofocus system, in-body image stabilization that provides up to 6.5 stops, stability for complete handheld freedom, and 19 Film Simulation modes – created using over 85 years of color science know-how – GFX50S II is sure to produce outstanding results for creatives of every level.
SKU: 600022316
- 51.4 Megapixel Large Format CMOS Image Sensor
- X-Processor 4 quad-core CPU
- 3.0 Frames per second
- Enhanced autofocus (AF) algorithm for optimized performance with G Mount lenses
- Up to 6.5 stops of Internal Body Image Stabilization (IBIS)
Viewfinder Magnification | Approx. 0.77x |
Lens Mount | FUJIFILM G mount |
Image sensor | 43.8mm×32.9mm Bayer array with primary color filter |
Number of effective pixels | 51.4 million pixels |
Sensor Cleaning System | Ultra Sonic Vibration |
Image Processing Engine | X-Processor 4 |
Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90*1 |
File format of still image | DCF Compliant with Design rule for Camera File system (DCF2.0) JPEG Exif Ver.2.32*2 RAW 14bit RAW (RAF original format) TIFF 8bit / 16bit RGB (In-camera Raw Conversion Only) |
Number of recorded pixels | [L]〈4:3〉 8256 x 6192 〈3:2〉 8256 x 5504 〈16:9〉 8256 x 4640 〈1:1〉 6192 x 6192 〈65:24〉 8256 x 3048 〈5:4〉 7744 x 6192 〈7:6〉 7232 x 6192 [S]〈4:3〉 4000×3000 〈3:2〉 4000×2664 〈16:9〉 4000×2248 〈1:1〉 2992×2992 〈65:24〉 4000×1480 〈5:4〉 3744×3000 〈7:6〉 3504×3000 |
Sensitivity | Still Image Standard Output: AUTO1 / AUTO2 / AUTO3 / ISO100~12800 (1/3 step) Extended Output: ISO50 / ISO25600 / ISO51200 / ISO102400 Movie Standard Output: AUTO / ISO200~6400 (1/3 step) |
Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted |
Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) |
Exposure compensation | Still -5.0EV~+5.0EV 1/3EV step Movie -2.0EV~+2.0EV 1/3EV step |
Image stabilizer | Mechanism: Image sensor shift mechanism with 5-axis compensation Compensation Effect: 6.5 stops *based on CIPA standard *Pitch/yaw shake only *With GF63mmF2.8 R WR lens mounted Digital Image Stabilization: Yes (movie mode only) IS MODE BOOST: Yes (movie mode only) |
Shutter type | Focal Plane Shutter |
Shutter speed | Mechanical shutter: P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 60min. to 1/4000sec. Bulb: up to 60min. Electronic shutter: P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec. S/M mode: 60min. to 1/16000sec. Bulb: up to 60min. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. Mechanical + Electronic shutter: P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec. S/M mode: 60min. to 1/16000sec. Bulb: up to 60min. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. Electronic Front Curtain Shutter: P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 60min. to 1/4000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/500sec. Electronic Front Curtain Shutter + Electronic Shutter: P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec. S/M mode: 60min. to 1/16000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/500sec, Mechanical shutter works until 1/4000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. Movie: FHD: 1/4000sec. to 1/24 sec. *Cannot choose slower shutter speed than framerate. Synchronized shutter speed for flash 1/125sec. or slower |
Continuous shooting | CH Electronic Front Curtain Shutter Approx. 2.2fps (JPEG: Endless, Compressed RAW: Endless, Lossless compressed RAW: 35 frames, Uncompressed RAW: 10 frames) CH Approx. 3.0fps (JPEG: Endless, Compressed RAW: 31 frames, Lossless compressed RAW: 13 frames, Uncompressed RAW: 8 frames) *Recordable frames depends on recording media. *Speed of continuous shooting depends on shooting environment and shooting frames. |
Drive Mode | AE Bracketing: 2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps Filmsimulation bracketing: Any 3 types of film simulation selectable Dynamic Range Bracketing: 100% / 200% / 400% ISO sensitivity Bracketing: ±1/3EV / ±2/3EV / ±1EV White Balance Bracketing: ±1 / ±2 / ±3 Focus Bracketing: AUTO / MANUAL Multiple Exposure: Yes (Max. 9 frames) / Additive / Average / Bright / Dark Pixel Shift Multi Shot: Yes |
Focus | Mode Single AF / Continuous AF / MF Type TTL Contrast AF Low-light Performance Contrast: -3.5EV *Low light priority AF-S ON / GF80mmF1.7 attached AF frame selection Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes Face/eye detection Yes |
Flash | Sync. Mode 1st Curtain / 2nd Curtain / AUTO FP (HSS) When SHOE MOUNT FLASH is set TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI / OFF |
LCD monitor | 3.2 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor Aspect Ratio: 4:3 Dots: Approx. 2.36 million dots |
Touch Screen Mode | Shooting Mode AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), EVF Touch Screen Area Setting Playback Mode Swipe, Pinch-in / Pinch-out, Double-tap, Drag |
Sub LCD monitor | 1.80 inch Monochrome LCD Monitor Aspect Ratio: 4:3 Dots: 303x230-dot |
Movie recording | File format MOV: MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) Movie compression Long GOP File size [Full HD(16:9)] 1920×1080 29.97p/25p/24p/23.98p 50Mbps Up to 120min. Frame rate *For recording movies, use a SD memory card with UHS Speed Class 1 or higher. Bitrate & Recording time *Recording time can become short depending on the temperature and/or shooting conditions. |
Monochromatic Color | 19 modes (PROVIA/STANDARD, Velvia/VIVID, ASTIA/SOFT, CLASSIC CHROME, PRO Neg. Hi, PRO Neg. Std, CLASSIC Neg., NOSTALGIC Neg., ETERNA/CINEMA, ETERNA BLEACH BYPASS, ACROS, ACROS+Ye Filter, ACROS+R Filter, ACROS+G Filter, MONOCHROME, MONOCHROME+Ye Filter, MONOCHROME+R Filter, MONOCHROME+G Filter, SEPIA) |
Grain Effect | Yes |
Grain Effect | Roughness: STRONG, WEAK, OFF Size: LARGE, SMALL |
Color chrome Blue | STRONG, WEAK, OFF |
Color Chrome Effect | STRONG, WEAK, OFF |
Smooth Skin Effect | STRONG, WEAK, OFF |
Dynamic range setting | Still AUTO / 100% / 200% / 400% ISO restriction: DR100%: No limit, DR200%: ISO200 or more, DR400%: ISO400 or more Movie 100% / 200% / 400% ISO restriction: DR100%: No limit, DR200%: ISO400 or more, DR400%: ISO800 or more |
White balance | Auto: White Priority / Auto / Ambience Priority Custom: Custom1 - 3 Color temperature selection: 2500K~10000K Preset: Fine / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater |
Clarity setting | ±5 steps |
Self-timer | 10sec. / 2sec. |
Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing) |
Wireless transmitter | Standard IEEE802.11b/g/n (standard wireless protocol) Encryption WEP / WPA / WPA2 mixed mode Access mode Infrastructure |
Bluetooth® | Standard: Bluetooth Ver. 4.2 (Bluetooth low energy) Operating frequency (Center frequency): 2402〜2480MHz |
Terminal | Digital interface USB Type-C (USB3.2 Gen1x1) HDMI output HDMI Micro connector (Type D) Others ø3.5mm, stereo mini connector (Microphone) ø3.5mm, stereo mini connector (Headphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terminal |
Power supply | NP-W235 Li-ion battery (included) |
Actual battery life of movie capture*3 | Full HD: Approx. 80min. (59.94p) *Face detection is set to OFF |
Continuance battery life of movie capture*3 | Full HD: Approx. 140min. (29.97p) *Face detection is set to OFF |
Battery life for still images*3 | Normal Mode: Approx. 455 frames *Auto power save ON *When GF63mmF2.8 R WR is set |
Dimensions | Width: 150.0mm Height: 104.2mm Depth: 87.2mm (Minimum Depth) 44.0mm |
Weight | including battery and SD memory card: Approx. 900g excluding battery and SD memory card: Approx. 819g |
Operating Temperature | -10°C~+40°C |
Operating Humidity | 10% - 80% (no condensation) |
Starting up period | Approx. 0.4sec. |
Accessories included | Li-ion battery NP-W235 AC power adapter AC-5VJ Plug adapter USB cable Shoulder strap Body cap Hot shoe cover Cable protector |
Viewfinder | EVF: 0.5 inch OLED Color Viewfinder, Approx. 3.69 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 23mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -4~+2m-1 Magnification: 0.77x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 38° (Horizontal angle of view: approx. 30° ) Built-In Eye Sensor |
Step into a New Level of Image Quality
Physically larger than full-frame sensors by approximately 1.7x, the 51.4MP large format sensor inside of GFX50S II is a specially designed CMOS Bayer array that delivers images with minimal noise and an incredibly wide dynamic range. Paired with its family of G Mount lenses, the result is a perfect marriage between the camera body and lens, leaving photographers of all levels joyful in the simplicity of easily achieving wonderful image quality.

Room for Perfection
Not all sensors are created equal. Compared to full-frame 50MP sensors, GFX50S II’s large format 50MP sensor is uniquely different because each pixel is larger and able to collect more data per pixel comparative to full-frame sensors of the same resolution. This results a stronger signal-to-noise ratio, which suppresses noise, increases dynamic range, and produces images with more information per pixel.

It’s Not Just about Resolution
GFX50S II’s large format imaging sensor isn’t just physically larger than every full-frame sensor out there, it also has specially shaped microlenses that are small enough to leave space between the sensor’s pixels, which allows it to efficiently focus light to create images with striking detail and clarity.

G Mount Lenses: Perfect Partners
A great sensor is only as good as the lens you put in front of it, but with the GFX50S II’s compatible G Mount lenses, there’s no need to worry. From ultra-wide-angle to telephoto, this ever-growing range of outstanding optics can resolve sensors of 100MP or more, so it meets the demands of exacting creators seeking the ultimate image quality.

Outstanding Image Quality for any Subject

Landscape Shot on GFX 50S II by Tommy Simonsen

Portrait Shot on GFX 50S II by Petronella Lugemwa

Street Photography on GFX 50S II by Eren Sarigu
Large Format Quality Is Within Your Grasp
At just 900g (1.98lb), GFX50S II is compact enough to bring on an adventure into the city, or out into the expanses of wild beyond. Regardless of where it goes, its ergonomic grip and intuitive controls will put the best images at the fingertips of any capable image-maker.

Raising the Bar for Image Stabilization
Up to 6.5 stops* of five-axis in-body image stabilization (IBIS) is packed into GFX50S II’s compact camera body, unlocking new levels of creativity for photographers wanting to work more freely with slower shutter speeds. Even when light levels are low and a tripod isn’t availble, steady images are on the horizon.
*Based on CIPA standard
Large Format Has Never Been This Easy
With GFX50S II, Fujifilm has made the large format experience easier and more intuitive than ever before. A PSAM dial gives access to its main exposure functions and a top-plate LCD displays key settings – even when the camera is switched off. Also, a redesigned Focus Lever and feather-touch shutter release provide finishing touches to the image-making experience. Whether you’re new to the GFX System or an existing user, there’s nothing to stand in the way of connection with your subject.



Autofocus for Every Occasion
GFX50S II can boost it’s readout speed by double when prioritizing focus. This results in faster autofocus speeds and subject acquisition and is supported even further by clever use of the camera’s in-body image stabilization unit to provide additional autofocus accuracy. Lastly, the use of advanced focus algorithms – as found in GFX100S and the latest X Series models – boost face and eye detection autofocus performance to give photographers great performance regardless of the subject.