Get unbelievable results in record time.






Converts your digital log footage into a 500T or 250D Film Negative/Cineon log that you’ll then place a print or curve on top off.















30 Prints that go on top of the Negative Emulation or an actual Scanned Film Negative to accurately emulate film stocks and film looks. Included you will find Kodak Vision3, Fujifilm, Eastman, Eterna, Kodachrome, Ektachrome, Technicolor & many other variations of film throughout its existence!






50 Prints that can go on top of the Negative Emulation or actual Scanned Film Negative to create a contemporary modern grade/look creation that isn’t specific to film emulation. A great way to add your own unique touch to your project.






7 Prints that can go on top of the Negative Emulation or actual Scanned Film Negative to create a monochromatic color palette. This includes both black and white and color looks.

Perfect the film look or get the most out of your footage with Utility tools: Low-Con, Classic, Density, Roll-off, 500T Hi, Vision3 Greens, Sky Boost, & Bleach Bypass.

Halation emulation through native DaVinci resolve tools. Brightest highlights will have a red/orange glow to them.

65mm, 35mm, 16mm Grain + texture emulation through native DaVinci resolve tools to better replicate film scans.


Find conversion luts, texture packs, and more
FilmVision Pro is the latest evolution of my film emulation pipeline, designed to accurately replicate the look of digitized negative-to-print film. But it’s more than just film emulation—this new workflow also includes a suite of cinema-grade looks that work seamlessly alongside the emulation process. Together, they create a flexible and dynamic toolset for color grading, giving you the ability to achieve both authentic film emulation and creative, unique looks. FilmVision Pro is one of the most versatile color grading solutions available.
The workflow follows a structured and film-accurate pipeline. It begins by converting your digital log input into Cineon Log or a simulated negative film scan, effectively mimicking the first stage of a traditional film process. From there, the image is balanced and refined, then passed through a print film or display transform to prepare it for final viewing















