How To Capture Texture In Your Photography with the Moment Macro Lens
We’re here to share with you some tips on how to capture texture in your photography with the Moment Macro lens. Tight, detailed, and oh-so amazing!
Macro photography is made for nature photographers, food porn lovers, and creatives who obsess over the details. Marvel at the details of a ladybug in your garden or inspect the intricacies of a handmade piece of jewelry.
Because you’re forced to get up close and personal with your subject, the Moment Macro Lens is the perfect testament to capturing texture in your mobile photography. Great for extreme close-ups of flowers, insects, food, and other objects with fine detail. Different from traditional macro photography, this lens has a fixed focal distance and works about an inch away from the subject to capture rich textures, materials, and living things that our phones (and eyes!) were never before capable of seeing. It works like a little magnifying glass on your phone. With the sharpest glass imaginable and most impressive bokeh you can capture with your phone, the Moment Macro Lens is perfect for getting lost in the tiny details.
Alongside gorgeous shots that were recently captured at a nature reserve, we’re here to share with you some tips on how to capture texture in your photography with the Moment Macro lens.
Using The Moment Macro Lens
Macro photography is the art of up-close magnifications of a particular person, place, or thing. With digital advancements, photography has made shooting macro (without a pile of strangely specialized gear) like it’s a piece of cake. This is especially true for mobile photographers and filmmakers looking to expand their horizons with Moment’s Macro Lens.
Shooting macro is an enticing act of patience: to be able to reach into space and record an image that is not easy for a human’s naked eye to comprehend. Few things are as satisfying as a huge print of a plant’s nucleus or a butterfly’s eyeball, no? Tiny mineral specimens are uniquely captured with macro lenses’ technique, which is proven by the myriad of images used to show off its capabilities.
Get Close and Personal to Tell a Story
A practical example of Macro lens workflow would be to use macro images in a bigger set of a photographic series; they act as excellent supplemental captures to wider shots that withstand more detail. This what makes a Moment Macro Lens the photographer’s favorite tool — it’s the highest of quality and deserves recognition for how crisp and clean it captures magnified subject matter.
And because of its intentional nature, the macro slows down a creative's workflow to evenly capture every spec.
Move Around the Subject Until Texture Pops
Attempt to capture textures that are not normally seen to the naked eye.
Since the macro lens requires a steady hand, mental focus, and just the right distance, you’ll most likely end up in some Twister-style positions to get the shot. Always try different angles on the same subject because sometimes it’s hard to tell if a shot really has captured a focus point and nice light. It also gives me lots of options to edit from. For example, when you find things like lichen and tiny mushrooms, flip your phone upside down so that the camera is as close to the ground as possible to get a level perspective.
Macro photography can be an abstract measure of creation. When shooting macro, don’t simply look to capture the “thing”— instead, become focused on composing a photo that captures the story of that particular moment and how the subject is interacting with light and shapes that will share the frame. It’s really about context at the end of the day. Macro approach focuses away from telling the whole story and uses the details to create pieces of a puzzle that the viewer must put together. Attempt to create more abstract macros that leave the viewer wondering what is happening, where something is or what it even is.
With macro, you don’t have to move much to get a different perspective. Try capturing shots that are totally different from each other. Weather and seasons and time of day can make the same old photo subject look totally different. You have to get up close and personal to see things differently. Most people might just shoot subjects at waist height and above, but if you kneel down, you’ll be introduced to a whole new world of things.
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