This item is only available for shipping to the US and CA.
The Sigma Sony E-Mount 105mm F2.8 DG DN MACRO is the first macro lens for mirrorless cameras in the Art line of lenses for mirrorless cameras. Mid-telephoto macro lenses give photographers a boost to creativity and a versatile working distance, which makes the lenses a favorite among professionals as part of their basic gear. It packs the highest level of performance expected of a mid-telephoto macro lens into its body, from its superb optical performance to excellent build quality. It provides performance that goes far beyond the expectation or imagination of what a "classic mid-telephoto macro lens" can be.
Note: Only available in the US
SKU: 260965
Sony E-Mount
The latest optical design ensures exceptional sharpness at all shooting distances from extreme close-up, which is crucial in macro shooting, all the way up to infinity.
Its aberration correction places a particular focus on longitudinal chromatic aberration which cannot be handled by the in-camera aberration correction.
Bokeh was one of the focuses in this lens design, which figures largely in mid-telephoto shooting.
It excellently handles comatic aberration, which often happens at the edges. On the other hand, its abilities to minimize ghosting and flare.
The Sigma Sony E-Mount 105mm F2.8 DG DN MACRO is the first macro lens for mirrorless cameras in the Art line of lenses for mirrorless cameras. Mid-telephoto macro lenses give photographers a boost to creativity and a versatile working distance, which makes the lenses a favorite among professionals as part of their basic gear. It packs the highest level of performance expected of a mid-telephoto macro lens into its body, from its superb optical performance to excellent build quality. It provides performance that goes far beyond the expectation or imagination of what a "classic mid-telephoto macro lens" can be.
Note: Only available in the US
SKU: 260965
Sony E-Mount
The latest optical design ensures exceptional sharpness at all shooting distances from extreme close-up, which is crucial in macro shooting, all the way up to infinity.
Its aberration correction places a particular focus on longitudinal chromatic aberration which cannot be handled by the in-camera aberration correction.
Bokeh was one of the focuses in this lens design, which figures largely in mid-telephoto shooting.
It excellently handles comatic aberration, which often happens at the edges. On the other hand, its abilities to minimize ghosting and flare.
