These images are, for me, the beginnings of seeing that which has previously been invisible. In making this series I’ve found an opportunity for literal interpretation while simultaneously letting some things be left to mystery and allowing the mind to both preserve and feast on that which is elusive and obscure. I think this is why I’m still in Georgia. I’ve been trying to evade memories, losses, and deaths by compartmentalizing and relegating the past to a closet it wasn’t meant for. So think of this project as a diary of resuscitated memories, dreams, and interpretations of my home. A diary that functions as the adventus of my reconciling the present with past and future.