Since the iPhone's inception, it has consistently upped the ante on mobile photography. And with every iPhone release, mobile lens companies scurry to innovate. So, we'll share an honest, hands-on experience of using Moment’s various mobile lenses with Apple’s latest flagship: the iPhone 15 Pro Max.

The allure of the iPhone 15 Pro Max is undeniable. But the question on many creators’ minds is whether Moment mobile lenses, from either the M-Series or T-Series generation, can match or surpass the built-in lenses from Apple. The landscapes and vibrancy of Vancouver provided an idyllic backdrop for this test shoot, giving us an extensive range of photography or filmmaking styles and scenes. You’ll see a ton of example imagery across both generations of mobile lenses, including a FAQ section for those needing more technical information.

Will the external lenses enhance or outshine the iPhone’s built-in cameras? Are the lenses even compatible? Let’s find out.

One can't help but be mesmerized by fisheye lenses' unique, almost funky-looking viewpoint. Coupled with the iPhone 15's capabilities, the result is nothing short of fun (and way higher quality than the .5x lenses on Apple’s newer models). We captured Vancouver’s cityscapes in unique perspectives with the Fisheye 14mm lens, both in M-series AND T-Series! The results were crisp, detailed, and high quality, even in tricky lighting scenarios.

But, a pro tip for fellow photographers: when using Moment lenses with the native iOS app, remember to disable macro mode. This prevents any software glitches that arise when trying to switch between the lenses. For a more seamless experience, we recommend using the Moment Pro Camera App for all our lenses.

Granville Island gave us a playground for the macro lenses. Lots fo flowers and details to look at. Whether it was the textures in the local shops or the details of blooming flowers, the built-in and Moment macro lenses were a ton of fun to tinker with.

We’ve fallen in love with the Macro perspective from our mobile camera phones. These attachable Macro POCs give you much closer access to your subject without unwarranted blurriness or artificial manipulations caused by the software’s AI. They're crafted crafted with pure glass to magnify texture and clarity unseen by the naked eye... with genuinely more sharpness than the iPhone native Macro Mode.

It was fun to compare Moment's Telephoto lens with the built-in telephoto lenses. Again, we like using actual lenses instead of relying on digital enhancements, especially on the iPhone. So this one is really, really the icing on the cake.

While the iPhone 15 Pro and iPhone 15 Pro-Max's 3x and 5x zoom capabilities are pretty good, the Tele 58mm lens offers far more wiggle room. It lets you get closer to your subject without the vignetting seen in Apple's cameras and delivers consistently high quality in tricky lighting conditions.

Using the Tele 58mm lens to any of the iPhone 15's standard 1x lens gives you a clear and sharp F/1.4 aperture resulting in mirrorless-like bokeh and 48MP resolution images. I'm serious, just look at the pictures! You can't even tell if it's a mirrorless (unless you're a pixel peeper, I guess, don't look that closely).

Pro Tip: Our lenses do not work over the 3x or 5x telephone lenses on the iPhone 15 Pro Max, but they work over the 1x and 2x zoom cameras.

Our company was founded on creating this classic 18mm Wide Lens. BY mounting this lens over the iPhone 15's standard 1x camera, you get far superior aperture quality and more control over your wide shots. The .5x camera is fun but it's not taken seriously, and the 18mm gives you that ultra wide view while maintaining the quality and professionalism.

Check our photo examples below — showing the full image of the T-Series vs. 1x on the iPhone, then a 200% digital crop. The T-Series is damn sharp!!!

The iPhone 15 Pro Max boasts one of Apple's best camera systems for mobile filmmakers to date. Its 4K ProRes video in the LOG color profile especially takes the cake. When paired with our Gold Flare or Blue Flare Anamorphic lens, it delivers a filmic result. The visuals are so compelling that they can even be compared to our Sony FX3's output.

We did notice some pretty distinct vignetting and fuzziness on either M-Series Anamorphic lens attached to the iPhone 15 Pro Max. So with this knowledge, we highly recommend using the T-Series anamorphic lenses with the latest iPhone 15 lineup.

Long story short, both the M-Series and T-Series lens lineups work beautifully on Apple’s iPhone 15 Pro Max. All you need is a Moment case and a lens of your choice to mount to your case and viola. However, it's in our best interest to give you the best opinions and feedback surrounding our products and their compatibility.

So, while the M-series does work on the latest generation of iPhone 15 camera phones, our latest and greatest T-Series lenses do offer a clearer and vignette-free experience across both the Macro, Tele, Wide, Fisheye, and especially the Anarmophic mobile lenses. If you already own the M-Series, perfect! But, like all tech, we suggest upgrading if you can for the most optimal compatibility.

Below is a list of some FAQs we often receive in the inbox:

Q: Can I use the T-series mount with M-series lenses and vice versa?

Our lens mounts are not cross-compatible because the T-series lenses feature a 25% larger glass size, resulting in a larger mount opening. Consequently, it is impossible to attach the lens

Q: Can I use the 58mm and a T-Series lens on the 5x Tele camera?

The T/M-Series 58mm Tele is incompatible with the 5x 120mm iPhone 15 Pro Max lens.

Q: How do the M-series lenses work with the main sensor's 24 mm FOV? Is there any significant vignetting?

The M-Series lenses have vignetting and softness around the corners of the frame at 24mm.

Q: How do the M-series lenses work with the 28mm FOV on the main sensor?

It looks slightly better, but I still notice softness at 28mm.

Q: What’s the overall sharpness of the M-series versions on the main sensor?

Overall, the M-series is significantly soft on the 15 Pro and Pro Max; the only lens still very clean is the M-series macro.

Ultimately, for those in a quandary between the M-Series and T-Series, the results from our test lean more toward personal preference. Both have their unique strengths, and the best pick ultimately boils down to the individual photographer's needs and style.